Nosferatu (1922) screens in Chicago with a newly composed score by Circuit des Yeux

When Haley Fohr began working on a score for Nosferatu (1922) more than a year ago, she was thinking about parasitic love. All-consuming love. Identity-surrendering love. Fohr, better known as her avant-pop project Circuit des Yeux, had just released Halo on the Inside (Matador) and was touring while pregnant. After more than a decade in [ ] The post i Nosferatu /i (1922) screens in Chicago with a newly composed score by Circuit des Yeux appeared first on Chicago Reader.